picture books

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November 12, 2019

Writing Books That Matter: Charlotte Watson Sherman and Jes Negron on Brown Sugar Babe

Some books entertain. Some educate. A rare few are created because their authors believe the book needs to exist. Brown Sugar Babe is one of those books. In this interview, author Charlotte Watson Sherman and editor Jes Negron discuss the purpose behind the picture book, the importance of representation in children's literature, the realities of the publishing process, and the role stories can play in helping young readers see themselves with confidence, dignity, and hope. Their conversation offers valuable insights not only into publishing children's books, but also into creating work that serves a meaningful purpose beyond the page.

November 5, 2019

Behind Go, Girls, Go!: Frances Gilbert on Writing, Editing, and Publishing Children’s Books

Few people get to see the publishing industry from multiple angles. Frances Gilbert has spent decades helping bring children's books into the world as an editor while also experiencing the uncertainty, vulnerability, and excitement of being an author herself. In this interview, Frances shares lessons from her work as Editor-in-Chief of Doubleday Books for Young Readers and discusses the release of her picture book, Go, Girls, Go! Along the way, she offers valuable insights into storytelling, publishing, platform building, creativity, and what separates successful children's book creators from those who never quite break through.

October 7, 2019

My KidLit Fall Writing Frenzy 2019 Entry (And What I Learned From Entering)

Writing contests can be intimidating, especially for newer writers. It’s easy to assume your work isn’t ready, that other writers are more talented, or that there’s little chance of being selected. Yet contests offer something valuable regardless of the outcome: a reason to create, finish a piece of work, and put it into the world. In 2019, I entered the KidLit Fall Writing Frenzy, a picture book writing contest built around visual prompts and strict word-count limitations. The challenge encouraged creativity, brevity, and experimentation. While the contest itself has long since ended, I wanted to preserve both my entry and the experience because it represents an important part of my growth as a writer. To my surprise, the submission was selected for a picture book manuscript critique prize. More importantly, it reminded me that opportunities often come from simply showing up and participating. Below is the original contest entry exactly as submitted.

September 10, 2019

How Amy and Greg Newbold Create Picture Books as a Team

Creating picture books is often viewed as a solitary pursuit, but some of the most memorable books are built through collaboration. Author Amy Newbold and illustrator Greg Newbold have spent years combining storytelling, visual art, creativity, and mutual trust to create award-winning children's books together. In this interview, they share lessons on writing, illustration, publishing, creative partnerships, and what it takes to build books as a husband-and-wife team.

July 2, 2019

How The Passover Mouse Became a Traditionally Published Picture Book

What makes a picture book stand out to literary agents and editors? How does a manuscript evolve from an idea into a traditionally published children’s book? In this behind-the-scenes interview, the creative team behind The Passover Mouse shares how the book came together — from inspiration and submissions to illustration, acquisitions, and publication. Featured in this conversation are author Joy Nelkin Wieder, agent Barbara Krasner, illustrator Shahar Kober, and editor Frances Gilbert of Doubleday Books for Young Readers.

June 25, 2019

What Makes a Picture Book Stand Out to Editors, Agents, and Illustrators

What makes a picture book stand out in a crowded marketplace? Why do some manuscripts capture the attention of agents, editors, and illustrators while others never gain traction? To answer those questions, I spoke with the team behind TASTE YOUR WORDS by Bonnie Clark and Todd Bright. From the author and illustrator to the literary agent and acquisitions editor, each shares what made this project special and what aspiring picture book creators can learn from the publishing process.

June 11, 2019

What Publishing Professionals Look For in Picture Books

What makes a picture book stand out to publishing professionals? Editors, agents, illustrators, and art directors all evaluate manuscripts through different lenses, yet certain qualities consistently rise to the top. To better understand what publishing professionals look for in picture books, I spoke with the teams behind Mac and Cheese and the Personal Space Invader and What a Prickly Pear. Their insights offer a rare behind-the-scenes look at what helps a picture book move from manuscript to bookshelf.

January 31, 2019

Heather Macht on Persistence, STEM Picture Books, and Building a Publishing Career

Children's author Heather Macht combines storytelling, science, and curiosity to create engaging books for young readers. Author of THE ANT FARM ESCAPE, REX THE…WE-DON’T-KNOW, and YOU MAY JUST BE A DINOSAUR, Heather writes picture books that encourage children to explore the natural world while embracing creativity and discovery. In this interview, she shares lessons about publishing, literary agents, rejection, STEM education, perseverance, and building a long-term career in children's books.