publishing

Tag

What Picture Book Critique Fest Taught Me About Creative Growth

One of the fastest ways to improve any creative skill is to seek thoughtful feedback from people with more experience than you. Whether you're a writer, illustrator, entrepreneur, or artist, growth rarely happens in isolation. We learn through studying our craft, practicing consistently, and receiving outside perspectives that help us see what we cannot see on our own. Back in 2019, I participated in Picture Book Critique Fest (#PBCritiqueFest), a community event that connected aspiring children's book creators with literary agents, authors, and illustrators willing to provide critiques and guidance. While the event itself has long since ended, the lessons behind it remain highly relevant today because the principles of creative growth never change. The experience reinforced something every creator eventually discovers: improvement requires knowledge, practice, and feedback.

Why Audiobooks Became One of the Fastest Growing Book Formats

Audiobooks have transformed how millions of people consume books. What began as an accessibility tool for visually impaired readers has evolved into one of the fastest-growing segments of the publishing industry. Today, people listen while commuting, exercising, doing household chores, traveling, and working. Audiobooks have made reading more accessible, more flexible, and easier to fit into busy lives. While printed books and ebooks remain important, the rise of audiobooks has fundamentally changed how readers discover and engage with stories and ideas.

Illustrating Children’s Books: Lessons from Phyllis Harris on Creativity, Publishing, and Persistence

Children's book illustrations often feel effortless. A reader turns the page, smiles at the artwork, and becomes immersed in the story without ever considering the years of practice, experimentation, revisions, and professional growth required to create those images. Behind every published picture book is a creative process shaped by persistence, craftsmanship, and a commitment to continual improvement. In this interview, children's book illustrator and author Phyllis Harris shares lessons from a career spanning more than 30 books, discussing creativity, publishing, artistic development, resilience, and what it takes to build a lasting career creating work that resonates with children and families.

What It Really Takes to Write Children’s Books: Insights from Brooke Van Sickle

Writing for children looks simple from the outside. The books are shorter, the language appears straightforward, and the stories often feel effortless. Yet creating books that truly connect with young readers requires far more skill, discipline, and intentionality than many people realize. Children's author, editor, and educator Brooke Van Sickle has spent years studying the craft, building a platform within the children's publishing industry, and helping aspiring authors navigate the path from idea to publication. In this interview, Brooke shares practical lessons on writing for children, developing creative discipline, building an author platform, and pursuing a long-term career in publishing.

How Amy and Greg Newbold Create Picture Books as a Team

Creating picture books is often viewed as a solitary pursuit, but some of the most memorable books are built through collaboration. Author Amy Newbold and illustrator Greg Newbold have spent years combining storytelling, visual art, creativity, and mutual trust to create award-winning children's books together. In this interview, they share lessons on writing, illustration, publishing, creative partnerships, and what it takes to build books as a husband-and-wife team.

Who Is the Real Audience for Picture Books?

When writing a picture book, it's easy to believe your audience is an editor, literary agent, parent, teacher, or librarian. After all, those are often the people deciding whether your book gets published, purchased, or shared. But while many people influence a picture book's success, only one audience truly determines whether the story endures. The real audience for a picture book is the child experiencing it. A child may not buy the book, approve the manuscript, or negotiate the publishing contract. Yet they decide whether the story is remembered, requested again, or forgotten after a single reading. Understanding this distinction can dramatically improve your writing and help you create stories that resonate with young readers and listeners. This distinction is one of the most important lessons new picture book authors can learn.

Lessons on Writing, Nature, and Curiosity from Author Lisa Connors

Lisa Connors is a children's author, nature writer, educator, and lifelong student of the natural world. Through both fiction and nonfiction, she aims to spark curiosity and help young readers develop a deeper appreciation for science, wildlife, and the environment. In this interview, we discuss writing for children, self-publishing versus traditional publishing, working with illustrators, creative perseverance, and the importance of staying curious throughout life. Although this conversation took place in 2018, many of the lessons about creativity, publishing, and lifelong learning remain just as relevant today.

Self-Publishing a Children’s Book: My Journey Working With an Illustrator

Many of you know of my writing exploits. Recently, I wrapped up the illustration phase of self-publishing a children's book. It required a surprising amount of effort that was largely based on my naivety. After writing the manuscript, I researched and interviewed freelance illustrators on a freelancer online platform. After finding one I thought would be a perfect fit for my manuscript material, we began working together under contract.